No one

Train roll on on down the line,Won't you please take me far far away.
Now, i feel the wind blow outside my door, I'm leaving my woman at home.
My baby's gone
Tuesday's gone with the wind
My baby's gone with the wind
And i don't know where I'm going
I just want to be left alone
When this train ends, i'll try again
I'm leaving my woman at home
My baby's gone
Tuesday's gone with the wind
Tuesday's gone with the wind
Tuesday's gone with the wind
And My baby's gone with the wind
Train roll on, Tuesday's gone
Tuesday's gone with the wind
Tuesday's gone with the wind
Tuesday's gone, long gone with the wind
My baby's gone with the wind
Train roll on, many miles from my home
See, i'm riding my blues away
Tuesday, you see, she had to be free
But somehow, I've got you to carry on
My Baby's gone
Tuesday's gone with the wind
Tuesday's gone, long gone with the wind
Tuesday's gone with the wind
My baby's gone with the wind
Train roll on
Train roll on
Ride on train
Ride on train
Ride on train
Train roll on
(train roll on)
Train, it rolls on
Train roll on
Oh, I can change
Oh, I can change
Oh, I can change
Oh, I can change
Train roll on
Train roll on
Ride on train
Oh, I can change
Train roll on
Ride on Train
Lord I can change
Oh, I can change
Roll on train

stop ignoring

Here I am,Waiting for this moment tonight.
   The most common stereotype of the hustler is as a sexy but tragic figure. This stereotype reveals both a fascination with the hustler as a sexual object and sadness or disdain with his situation and life style. This stereotyped male hustler is often an under-aged or teen-age "street kid" or "runaway" forced to leave home because of his sexual orientation or because of sexual abuse. He is often portrayed as a drug addict or thief. The plotline frequently focuses on the crisis of leaving the trade or the street ("one last trick"), or on making enough money for an important use (a medical treatment, a gift). The climax often has one of two possible outcomes: the hustler either abandons the trade and re-integrates society, or he meets a tragic end. This tragic image of the hustler can be contrasted with the stereotype of the female hooker with a heart of gold: instead of being portrayed as someone in control and contented, the hustler is lost, homeless, broke or exploited.
      you get it chickens!